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Chapter 26 Summary Sophie helps Jane dress for the wedding, and Rochester and Jane walk to the church. Jane notes a pair of strangers reading the headstones in the churchyard cemetery.
When Jane and Rochester enter the church, the two strangers are also present. When the priest asks if anyone objects to the ceremony, one of the strangers answers: I declare the existence of an impediment.
The speaker explains that he is a solicitor from London, and he introduces himself as Mr. Mason himself then steps forward to corroborate the story.
After a moment of inarticulate fury, Rochester admits that his wife is alive and that in marrying Jane he would have been knowingly taking a second wife.
No one in the community knows of his wife because she is mad, and Rochester keeps her locked away under the care of Grace Poole. He orders the crowd to come to Thornfield to see her, so that they may understand what impelled him to his present course of action.
At Thornfield, the group climbs to the third story. Rochester points out the room where Bertha bit and stabbed her brother, and then he lifts a tapestry to uncover a second door.
Inside the hidden room is Bertha Mason, under the care of Grace Poole. In the deep shade, at the farther end of the room, a figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight tell: Approaching death, John asked Mason to hurry to England to save his niece.
After the wedding crowd disperses, Jane locks herself in her room and plunges into an inexpressible grief. She prays to God to be with her. For example, Bertha Mason could represent the horror of Victorian marriage.
Rochester claims to have imprisoned her because she is mad, but it is easy to imagine an opposite relation of cause and effect, in which years of enforced imprisonment and isolation have made her violently insane or, at least, increased her insanity.
Thus, the madwoman in the attic could represent the confining and repressive aspects of Victorian wifehood, suggesting that the lack of autonomy and freedom in marriage suffocates women, threatening their mental and emotional health.
For although Jane declares her love for Rochester, her dreams and apprehensions suggest that she also secretly fears being married to him, perhaps even that she secretly wants to rage against the imprisonment that marriage could become for her.
Although Jane does not manifest this fear or rage, Bertha does.In the opening chapter of Bronte's narrative, when little Jane Eyre is not allowed to sit with her cousins near Mrs.
Reed because she has not yet acquired the proper social disposition, Jane. Jane Eyre is a famous novel written by English writer Charlotte Bronte and was published in England in by Smith, Elder & Co. The Victorian era was a time period plagued with problems of inequalities, symbolism and independence between men and women, in this novel Charlotte Bronte uses Jane Eyre as a mouthpiece in.
A summary of Chapter 26 in Charlotte Brontë's Jane Eyre. Learn exactly what happened in this chapter, scene, or section of Jane Eyre and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Class, Power and Charlotte Bronte. TERRY EAGLETON Helen Burns, the saintly schoolgirl of Jane E y e, has an interestingly ambivalent attitude to the execution of Charles the First.
Home Essays Repressive Patriarchs of Repressive Patriarchs of Jane Eyre Topics: Jane Eyre, Charlotte Brontë, Novel Pages: 7 ( words) Published: November 26, Transcript of Patriarchal Oppression in "Jane Eyre" & "Wide Sargasso Sea" are heard even after all they had to endure Jane Eyre Patriarchal Oppression by Alec Brevé British patriarchal system Women had many obligations, few choices Even compared to a form slavery THANK YOU!